Experimenting with a completely new medium today. Stepping way outside my comfort zone.

Reclaiming clay. Nothing goes to waste in my studio. Environmental responsibility.

Collaborative piece with a Melbourne flower artist. Clay and blooms together.

Firing schedule for my reduction kiln. Temperature curves that create magic.

Hand-building vs. wheel-throwing. Different techniques, different aesthetics, both valid.

Making a teapot from start to finish. The most technically demanding form in ceramics.

My Melbourne studio tour. Converted garage, two wheels, one electric kiln.

The first pot I ever made vs. today. Five years of practice visualized.

Commission piece finished. My client cried when they saw it. That's why I do this.

Glaze chemistry experiment: Mixing my own celadon from raw materials.