Serbian folk costume textile analysis. The weaving techniques encoded in traditional dress.

Color palette development. Natural dyes from plants growing in my garden.

New collaboration dropping next week. Months of work and I couldn't be more excited.

Annual exhibition: Twelve months of weaving. Every thread a meditation.

Documenting endangered weaving techniques from rural Serbian villages.

Setting up the loom for a new textile. The warp threading takes two full days.

Natural dyeing with walnut husks. The brown tones are warm and permanent.

Tapestry weaving: Pictorial art on the loom. Slow but extraordinary.

Kilim repair: Restoring a 100-year-old Serbian carpet. Conservation work.

My studio with four looms. Each one set up for a different technique.